Laura G. Eldred
Assistant Professor of English
Gary Grieve-Carlson
Professor of English
Elizabeth Julian
Director of the Center for Writing and Tutoring Resources
Robert Machado
Assistant Professor of English
Catherine Romagnolo
Associate Professor & Dept. Chair English
Holly M. Wendt
Assistant Professor of English
Eldred, L. (2012). "Discursive nonsense": Narrative structure, trauma, and history in Call Me the Breeze. New Hibernia Review, 16(4), 64-79.
Grieve-Carlson, G. (2016, March 19). Giving meaning to death: John Brown, Walt Whitman, and John Greenleaf Whittier. Presentation at the Northeast Modern Language Association. Hartford, CT.
Grieve-Carlson, G. (2016). "Towards an American avant-garde: Williams's quarrel with Eliot." Modern Language Studies 46(1): 54-69.
Grieve-Carlson, G. John Tagliabue and the office of the poet. The Dalhousie Review, 94(3), 325-337.
Grieve-Carlson, G., & Wilhelm, N. (2015). Lindley Murray and the grammar wars. CEAMagazine, 24, 4-20.
Grieve-Carlson, G. (2014). At the boundary of the mighty world: Charles Olson and Hesiod. Mosiac, 47(4), 135-150.
Grieve-Carlson, G. (2013). Poems containing history: Twentieth-century American poetry's engagement with the past. Lanham: Lexington Books.
Grieve-Carlson, G. (2012). "The fathers run out in the sons": Charles olson, ezra pound, and "the song of Ullikummi". Paideuma, 39, 163-179.
Grieve-Carlson, G. (March 30-April 1, 2012). Plato, whitehead, and the idea of history in charles olson's maximus poems. The Ancient Quarrel between Poetry and Philosophy Seminar. American Comparative Literature Association. Brown University.
Grieve-Carlson, G. (2011). John Winthrop in 'The Maximus Poems'. The New England Quarterly, 84(4), 655-695. doi:10.1162/TNEQ_a_00133
Grieve-Carlson, G. (2012). At the boundary of a mighty world. The Poetic Front, 5(1).
Grieve-Carlson, G. (2012). 'The Fathers Run Out in the Sons': Charles Olsen, Ezra Pound, and 'The Song of Ullikummi'. Paideuma.
Grieve-Carlson, G. (2012). 'The House-Top': Melville's poem of force. War, Literature and the Arts.
Grieve-Carlson, G. In the borderlands: American poetry engages history. In T. Lacy (Ed.), American Intellectual History (title unknown, book still in process) (pp. n/a). New York: Palgrave Macmillan.
Grieve-Carlson, G. (2011). Can history matter? Hart Crane's use of the past in 'The Bridge'. Unpublished manuscript.
Grieve-Carlson, G., & Day, M. A. (2010). MacLeish, Oppenheimer, and 'The Conquest of America'. Soundings: An Interdisciplinary Journal, 93(3-4), 281-311.
Mercier, A. (2015). Saint-Ybars (E. Julian Trans.). Shreveport, La.: Centenary College of Louisiana Press.
Machado, R. (2016). Metachromatics: The historical division between color and line/form as analytic. In S. Kim (Ed.), The use of color in history, politics, and art (pp. 143-185). Dahlonega, GA: University Press of North Georgia.
Machado, R. (2016). Poster movies: Censorship, paratext, and watching who you are as you watch.” In Now showing: An American century at the movies, September 2–October 16, 2016 (pp. 6-10). Annville, PA: Suzanne H. Arnold Art Gallery, Lebanon Valley College.
Machado, R. (2016). Public privacy: Self-address in digital short forms. Presentation at the Modern Language Association (MLA), Austin, Texas.
Machado, R. (2016). Sound/Noise Utility. Presentation at the Vale Media Industries Conference, Annville, PA.
Romagnolo, C. (2015). Opening acts: Narrative beginnings in twentieth century feminist fiction. Lincoln, Neb: University of Nebraska Press.
Romagnolo, C. (2015, March 7). Flight patterns: Race, gender and the unnatural in Toni Morrison. Paper presented at the International Conference on Narrative, Chicago, Ill.
Romagnolo, C. (2015, Forthcoming). “[Un]Natural connections: Feminist experimentation and unnatural narratology. In J. Alber (Ed.), Unnatural narratives in literary history and cultural studies (n.p.). Lincoln, NE: University of Nebraska.
Romagnolo, C. (2014, forthcoming). Narrative disidentification: Beginnings in Toni Morrison's Song of Solomon. In J. Ho, S. Morgan & J. Donahue (Eds.), Narrative, race and ethnicity in the Americas.
Romagnolo, C. (2011). Initiating dialogue: Narrative beginnings in multicultural narratives. In F. L. Aldama, & W. A. Nericcio (Eds.), Analyzing world fiction: New horizons in narrative theory (pp. 183-198). Austin, TX: University of Texas Press.
Wendt, H. M. (2016). Elephant graveyards. Barrelhouse 15, 30-42.
Wendt, H. M. (2016). Philadelphia Phillies. Baseball Prospectus, 371-374.
Wendt, H. M. (2014, Summer). What is here inserted comes from a credible hand. Memorious, 24.
Wendt, H. M. (2015, March). 'Breme Beowulf' and 'Inclite Pelgai': Colonizing the comitatus. The CEA Critic, 77(1), 39-57.
Wendt, H. M. (2015, May). The rogers ladder. Gulf Stream, 13.
Wendt, H. M. (2015, October). Coyotes of Chicago. Whiskeypaper, 23.
Wendt, H. M. (2015, Winter). Ghostie on third. Sport Literate, 9(1), 100-107.
Wendt, H. M. (2014, August). Weight and bamboo. Festival Writer.
Wendt, H. M. (2014, February). Chapter one. Classical Magazine, 32-39.
Wendt, H. M. (2014, November 4). Leaving early. The Rumpus.
