Grant D. Taylor
Associate Professor & Dept. Chair Art & Art History
Taylor, G. D. (2015). "The family code: Art and life.” In B. Ferran (Ed.), Art that makes itself: Brown & son: purveyors of digital images since 1968. Exhibition catalog (pp. 36-47) London, UK: Waterman Gallery.
Taylor, G. D. (2015). Digital iconoclasts. In P. Hertz (Ed.), All.go.rhythm. exhibition catalog (pp. 28-39). Chicago, Ill: Ukrainian Institute of Modern Art.
Taylor, G. D. (2015). Vera Molnar: The unimaginable image. In Vera Molnar exhibition catalog (pp. 5-11). New York: Senior Shopmaker Gallery.
Taylor, G. D. (2014). Vital square--living matrix. In P. Beyls, & D. Brown (Eds.), Simple thoughts: Peter Beyls (pp. 131-155). Ghent: Asamer.>
Taylor, G. D. (2014). When the machine made art: The troubled history of computer art. New York: Bloomsbury.
Taylor, G. D. (2013). Linearity and the algorithmic search. In B. McNulty (Ed.), The American algorists: Linear sublime (pp. 7-35) The Suzanne Arnold Art Gallery.
Taylor, G. (2012). Journal of the New Media Caucus, 8(2), 11-17.
Taylor, G. D. (2012). "Up for grabs": Agency, praxis, and the politics of early digital art. Media-N Journal.
Taylor, G. D. (2012). The soulless usurper: Reception and criticism of early computer art. In H. Higgins, & D. Kahn (Eds.), Mainframe experimentalism: Early digital computing in the experimental arts. Berkeley, CA: University of California Press.