Karen R. Beall
Adjunct Instructor
of Sculpture and Ceramics
Beall, K. (2012). Garland. Kennesaw, GA: Zimmerman Museum of Art.
Beall, K. (2013). Between the lines. Kennesaw, GA: Zimmerman Museum of Art.
Beall, K. (2014). Bubbling up from underneath. Kennesaw, GA: Zuckerman Museum of Art.
Daniel Massad
Artist-In-Residence
Massad, G. D. (2015). G. Daniel Massad: Recent works on paper. New York, N.Y.: Bernarducci Meisel Gallery.
Barbara McNulty
Director of the Suzanne H. Arnold Art Gallery
McNulty, B. R. (2010). Cypriot donor portraiture: Constructing the ideal family. (PhD, Temple University).
McNulty, B. (March 22-24, 2012). The politics of rosary beads in venetian cyprus. 58th Annual Meeting of the Renaissance Society of America, Washington, D.C. 1-17.
McNulty, B. R. (2014). Intersection: Painting, drawing, and photography. Annville, PA: Lebanon Valley College.
McNulty, B. R. (2014). Stacy Levy: Collaborations with nature. Annville, PA: Lebanon Valley College.
McNulty, B. R. (2014, December 12-14). “Fresco at Kaminaria: Landscape as allegory,” Paper presented at the Art and Archaeology of Lusignan and Venetian Cyprus (1192-1571): Recent Research and New Discoveries, University of Cyprus, Nicosia, Cyprus.
McNulty, B. R. (2015, June 12). “Shifting identities from the feudal to the commercial: Family portraiture on Cypriot icons”. Paper presented at the Ninth International Conference of Iconographic Studies, Museum of Russian Icons, Clinton, Mass.
McNulty, B. R. (2015, October 21-24). The day of the dead: Bringing the exhibition to life. Paper presented at the Southeastern College Art Conference, Pittsburgh, Pa.
Michael Pittari
Associate Professor of Art
Pittari, M. (2012). Darkness and light. Oil on canvas, 30 x 42 inches.
Pittari, M. (2012). Entropy. Oil on canvas, 30 x 42 inches.
Grant D. Taylor
Associate Professor & Dept. Chair Art & Art History
Taylor, G. D. (2012). "Up for grabs": Agency, praxis, and the politics of early digital art. Media-N Journal.
Taylor, G. D. (2012). The soulless usurper: Reception and criticism of early computer art. In H. Higgins, & D. Kahn (Eds.), Mainframe experimentalism: Early digital computing in the experimental arts. Berkeley, CA: University of California Press.
Taylor, G. (2012). Journal of the New Media Caucus, 8(2), 11-17.
Taylor, G. D. (2013). Linearity and the algorithmic search. In B. McNulty (Ed.), The American algorists: Linear sublime (pp. 7-35) The Suzanne Arnold Art Gallery.
Taylor, G. D. (2014). Vital square--living matrix. In P. Beyls, & D. Brown (Eds.), Simple thoughts: Peter Beyls (pp. 131-155). Ghent: Asamer.>
Taylor, G. D. (2014). When the machine made art: The troubled history of computer art. New York: Bloomsbury.
Taylor, G. D. (2015). "The family code: Art and life.” In B. Ferran (Ed.), Art that makes itself: Brown & son: purveyors of digital images since 1968. Exhibition catalog (pp. 36-47) London, UK: Waterman Gallery.
Taylor, G. D. (2015). Digital iconoclasts. In P. Hertz (Ed.), All.go.rhythm. exhibition catalog (pp. 28-39). Chicago, Ill: Ukrainian Institute of Modern Art.
Taylor, G. D. (2015). Vera Molnar: The unimaginable image. In Vera Molnar exhibition catalog (pp. 5-11). New York: Senior Shopmaker Gallery.
Dorothy Thayne
Visiting Scholar of Art
Thayne, D. (2014). Elousa, Mother of God. In A. Gilroy, A. M. Gallagher, J. Sippel & C. O'Sullivan (Eds.), Act love walk: Praying in the Josephite spirit (pp. 119). North Sydney, N.S.W. Australia: Trustees of the Sisters of St. Joseph of the Sacred Heart.
Thayne, D. (2014). Knock. In A. Gilroy, A. M. Gallagher, J. Sippel & C. O'Sullivan (Eds.), Act love walk: Praying in the Josephite spirit (pp. 37). North Sydney, N.S.W., Australia.: Trustees of the Sisters of St. Joseph of the Sacred Heart.